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When I receive a product image, my first thought is usually not how spectacular its advertisement could be, but what is worth looking at. Layers along a glass edge, the curve of a ceramic rim, or a quiet reflection on metal may explain texture better than a fast orbit. When planning a Kling...

When preparing a fashion lookbook, I care more about whether viewers can see the garment's character: whether the knit is substantial, the shirt holds its shape, and where a long dress begins to drape. A small movement of the hem can communicate a lot. Bigger movement also makes fabric texture...